[experimental, ambient] Steve Jansen & Claudio Chianura - 2001 - Kinoapparatom (FLAC, 2009 edition)


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Torrent File Content (18 files)


Steve Jansen & Claudio Chianura - 2001 - Kinoapparatom (FLAC, 2009 Edition)
    art
          alt_cover.jpg -
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          5.jpg -
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          1.jpg -
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          2.jpg -
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          4.jpg -
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          3.jpg -
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     6. At Work.flac -
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     7. Playtime.flac -
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     5. Elevator.flac -
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     1. Awakening.flac -
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     8. Dusk.flac -
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     2. Operator.flac -
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     4. Life Size.flac -
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     3. Gates Of Moscow.flac -
19.05 MB

     credits.pdf -
1.29 MB

     i.txt -
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     aucdtect.log -
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     Torrent downloaded from demonoid.pw.txt -
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Description



Music : Other : Lossless


2009 Samadhisound edition. Originally released in 2001 as Medium Productions Limited MPCD14.

1 Awakening 6:35
2 Operator 4:30
3 Gates Of Moscow 4:20
4 Life Size 4:30
5 Elevator 5:55
6 At Work 7:35
7 Playtime 6:35
8 Dusk 6:35

Roberto Zorzi: electric guitar
Claudio Chianura: electronics, samples, synthesizer
Steve Jansen: samples, rhythm loops
Piero Chianura: synthesizer

Music for Dziga Vertov's silent film "The Man With The Movie Camera" (1929).
Recorded live in Milan, Palazzina Liberty, 11 December 1999.

The rediscovery of Dziga Vertov's 1929 silent film The Man With the Movie Camera in the late '90s has inspired a few artists from the electronica avant-garde. Steve Jansen and Claudio Chianura released their soundtrack only months after Biosphere made his own proposition available as part of the two-CD set Substrata 2. Kinoapparatum (the original Russian title of the movie) was recorded live in Milan on December 11, 1999. The two electronicists were accompanied during this semi-improvisational event by L.A. 1919 guitarist Roberto Zorzi and keyboardist Piero Chianura. Pre-composed material was laid down to fit the moods and durations of the film's key sections. The four musicians improvised around the structure, following the projected images. The result is a highly atmospheric record. Zorzi's guitar is faintly heard detailing fragile notes among the drones, transient tones, record static, and textural sampling. An after-hours affair designed for the couch, this CD pleases but doesn't strike at first. Subsequent listens reveal the source of its beauty, but also its limitations; the static sounds, omnipresent throughout the session, become a burden. It still makes a nice CD of light experimental music and fits the film better than Biosphere's attempt (although the latter's music is more compelling). - Francois Couture, AMG
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